.png)
Arthropod Armageddon
The focus of art and media in this current Anthropocene epoch is often restricted to the prepossessing living. The recent rapid decline in arthropods due to climate change is destroying complex ecosystems, resulting in concerning detriments to agriculture and economies. Arthropod Armageddon, a watercolour and pencil series pays homage to the essential arthropods, and the produce that relies on them. The lights framing each painting, reminiscent of Mariolatry are used to add veneration to the subjects. Each painting acts as a portrait to provide a deeper insight into the realities of extinction and the rippling effects of climate change.
*Hover your mouse over each artwork to discover which produce each pollinating arthropod brings to fruition

Honeybee, Apis mellifera
The Honeybee is the primary pollinator for apples and faba beans along with many other legumes, fruits and vegetables



Fava Bean, Vicia faba
Honeybee's assist Fava Beans with pollination


Cocoa, Theobroma cacao
The Chocolate Midge is the primary pollinator for Cocoa


Chocolate Midge, Ceratopogonidae
The Chocolate Midge Is the primary pollinator for Cocoa


Papaya, Carica papaya
Papayas are primarily pollinated by The Hawk Moth


Fig Wasp, Agaonidae
The Common fig's primary pollinator is the Fig Wasp


Fig, ​​Ficus carica
The Common Fig is pollinated by The Fig Wasp


Apple, Malus domestica
The Honeybee is the primary pollinator for apple trees


Hawk Moth, Sphingidae
Papayas are primarily pollinated by The Hawk Moth

Exhibition photographs of Arthropod Armageddon

Front on view of installation

Side view of installation

[Interactive Element] Remote and instructions attached to a plinth in front of the artwork

Front on view of installation


Video of installation
The Long Road Project




































Swipe each artwork to discover which produce each pollinating arthropod brings to fruition
Portrait of Prudence Melom, 2019
‘The Long Road Project’ is a collaborative project with the Toowoomba based NGO ‘E-Raced’. The project aims to generate a more empathetic view from the public on the topic of refugee immigration into Australia. The body of work consists of four expressive portraits of Majok Piok, Khaled Ali and Prudence Melom, the founder of E-raced. The three sitters’ are active members of E-raced; they share their journeys as Refugees to youth in schools around Australia in an attempt to stop racism through the power of storytelling. The artist travelled to Toowoomba to meet the sitters and build rapport in person before she began painting the portraits. This enabled her to accurately portray the individuals on a personal level. She was able to match the colour palette of each portrait to the sitter’s character. The artist carefully selected appropriate photographs to use as inspiration that expressed ‘the inner self’ of each sitter. When exhibited, minimalistic booklets accompanied each portrait featuring raw, unedited scripts of the stories shared with the artist during the recorded interviews. The project will develop as the artist continues to utilise contemporary portraiture techniques and the power of storytelling as a platform to work towards herself and Prudence’s important goal.
To read Prudences story please contact Siena via email.


“My series ‘The Long Road’ consists of three mixed media portraits, revealing the stories of Refugees I have interviewed who have resettled in Australia. The Portraits have been inspired by the Australian artist Ben Quilty and his ‘After Afghanistan’ series. Quilty’s expressive painting style is rich with emotion in this series as he depicts the stories and trauma of Australian servicemen and women who were deployed to Afghanistan. My portraits imitate Quilty’s distinct and expressive brushstrokes and a wide variety of bright animated colours to construct each sitters face. Stéphanie Ledoux’s use of mixed media in her portraits has inspired the compositions in ‘The Long Road’ series. The foundation of her artwork ‘Burma – Kalaw’ uses fabric with traditional Burmese pattern as well as copied documents, diary pages and maps that help define the stories behind the faces drawn on the mixed media background. ‘The Long Road’ series allows viewers insight into the lives of Refugees, with an aim to generate a more empathetic view from the public on the topics of refugee immigration into Australia. ‘The Long Road’ is apart of a larger research project that I hope to expand over the next few years.”
Portrait of Prudence Melom, 2019


Portrait of Prudence Melom, 2019
To find out more about Prudence Melom and E-Raced go to:
https://www.e-raced.com.au/aboutus
Portrait of Prudence Melom, 2019
Commissioned Artworks

Protea & Wattle, 2023
Acrylic paint on wood panel

Pamela, 2023
Watercolour paint on paper




Commercial Illustration Projects

Album Illustrations, 2022


Design collaboration with Rooland for Yatte Yattah Distilling Co










